luckyzrjz Wrote:I got stuck between (C) and (D). Can someone help to clarify that why choice (D) is wrong?
Here is the support I see for choice (C).
Line 4-5: even the most prominent art specialist can be tricked by a gifted artist turned forger into mistaking an almost perfect forgery for an original.
Lines 9-10: For example, Meegeren painted under the alias of Jam Vermeer, which was adored by critics as one of Vermeer's finest works... until they discovered it was fake.
Lines 14-15: Astonishingly, there was at least one highly reputed critic who persisted in believing it to be a Vermeer even after Van Meegeren suggested other wise.
(C) presents an analogous scenario: diners at a famous restaurant praise the food as amazing
until they learn that the master chef is away for the night.
In both cases, two groups of people (i.e. critics and diners) initially praise one thing, but upon learning that the things is not original (i.e. fake painting and food not cooked by master chef), they retract their praise.
I believe what makes (D) wrong is that the critics stop applauding a new novel because they dislike the latent political messages contained in the novel.
However, we have no indication that our critics disliked anything about the painting; in fact, the passage suggests that the critics considered it "one of Vermeer's finest work".
Either way, (C) is the best choice.
(A) does not tell us if the lovers of the musical group believed, at first, that the imitations were real...
(B) has a different reason for rejecting the painters work.
(E) is talking about a positive evaluation all the way through.
What'd you think? I'd love to hear your perspective on this, as I am trying to improve my understanding of the new RC's.